The Dance Insider Illustration, 3-14: Dancescapes
Ananiashvili Brings it Home
Art & Text by Robin Hoffman
Copyright 2008 Robin Hoffman
Put in context, the unevenness shown by Nina Ananiashvili and the State Ballet of Georgia on February 29 at the Brooklyn Academy of Music pales compared to what they have achieved. Ananiashvili has only been working at the helm of the company since 2004, and she has transformed a broken institution into something presentable if not rivaling world-class just yet.
Four years is not very long to absorb some 18 new ballets (in addition to the classical repertory), unify training, develop dancers' talents, and surmount additional challenges in a place that lacked an artistic director, public performances, and even protection from the winter blowing into the dance studios in the years prior to Ananiashvili's arrival. So it wasn't a big surprise, for example, that though the star herself looked at ease in Balanchine's "Chaconne," the work sat uncomfortably and unevenly on the rest of the large cast. There is a unique stylistic learning curve with Balanchine.