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            Flash 
            Review 2, 3-6: What's Black, White, and Vulgar all Over? 
            "Wild Zebra" Tramples Taste 
             By Chloe Smethurst 
              Copyright 2003 Chloe Smethurst
              MELBOURNE -- Unfortunately 
              for the unsuspecting public of Melbourne, the first major touring 
              dance spectacle of 2003 has turned out to be nothing more than an 
              over-hyped piece of blatant exhibitionism.
              The Chinese production, 
              "Wild Zebra," which opened at the State Theatre February 27, combines 
              a strange mixture of acrobatics, gymnastics, modern dance and soft-shoe 
              ballet. I say strange, because of the elements employed from the 
              above disciplines, none are done well or tastefully. This production 
              is one of the worst displays of vulgarity I have ever seen at the 
              State Theatre, or indeed anywhere.
              To begin with, the story-line 
              of the piece is beyond credibility, even allowing for the fact that 
              the inspiration for the production came to choreographer/director 
              Zhang Jigang in a dream. His vision of a fantasy jungle where the 
              animals live in harmony under the rule of a Queen Bear would be 
              perfectly suitable for a children's story, but on closer inspection 
              the plot development is as fraught with blunders as is the choreography. 
              
              The story revolves around 
              Queen Bear's quest to collect 100 zebra skins to make a coat that 
              will allow her to live and rule for many years (a la Cruella de 
              Ville of "101 Dalmations"). Queen Bear is holding Wild Zebra captive 
              so that she may use his hide to complete the coat. One of the queen's 
              closest 'friends' is the Princess Zebra, who falls in love with 
              Wild Zebra and eventually frees him. What confused me was how the 
              princess could love a queen who was prepared to kill one hundred 
              of her kindred.... did she not feel that her own hide was in danger? 
              After freeing Wild Zebra, the princess runs away with him to the 
              'Plains of Forever,' where all the other wild zebras live. They 
              abide happily there, until news comes to them that Queen Bear is 
              ill, and needs to complete her coat of zebra skins to live. The 
              other animals, including a fox, leopards, antelopes, swans and monkeys 
              come hunting for Wild Zebra. Princess Zebra tries to warn him, but 
              is shot in the leg by an arrow, and decides that by sacrificing 
              herself, she will bring peace and happiness to the animal kingdom. 
              So Princess Zebra kills herself, and the Queen is saved. For a beloved 
              queen of the animals, Queen Bear seemed to delight in killing off 
              large portions of her realm!
              Despite the poor libretto, 
              the production could have been saved by inventive and skillful choreography. 
              Unfortunately, this wasn't to be. There was huge scope for the different 
              animal groups to be bestowed with individual characteristics suited 
              to their natural movements, but instead we were presented with medium 
              level acrobatics, displays of flexibility and tired cliches. "Wild 
              Zebra" was billed as a dance spectacular, but at times I wondered 
              if I was at a cheer-leading competition, the choreography was so 
              tacky. For instance, when the couple first arrive at the Plains 
              of Forever they are greeted by some 45 zebras on stage, performing 
              a synchronized floor routine of what could only be described as 
              aerobics exercises. Some of the worst displays of choreography were 
              in the pas de deux between Wild Zebra and the Princess. To express 
              his love for her, Wild Zebra held a contorted handstand for an extended 
              moment, as though by showing her how strong and flexible he was 
              he was also demonstrating deep emotion. Similarly, in the duets, 
              the main aim of the choreography seemed to be to show off the princess's 
              contortionist skills, rather than to express any kind of love between 
              the couple. One lift which was used repeatedly had Princess Zebra 
              being supported horizontally in the air with her legs held open 
              to the front in second splits while her partner proudly displayed 
              how wide she could open her legs to the audience. This kind of crude 
              exhibition further marred the evening's performance.
              The other facets of 
              the performance were slightly less vulgar, but generally of a similar 
              standard. The lighting was particularly disappointing, especially 
              in the scene where, inexplicably, yellow spiral-patterned lights 
              were suddenly beamed onto the stage floor as Princess Zebra suffered 
              her death throes. The costumes were as to be expected, balletified 
              versions of animal pelts. There were swans in tutus, monkeys in 
              gold epaulettes and boots, and leopards in lycra, which managed 
              to portray which animal group the performers belonged to without 
              really enhancing the production's quality in any way. The recorded 
              score, composed by Zhang Qianyi, gave the impression of being pieced 
              together from many existing ballet scores. There was nothing novel 
              or even particularly interesting in the music and again, it did 
              nothing to raise the bar in this below-average production.
              The only redeeming feature 
              of the show were the extraordinary physical skills displayed by 
              some of the performers. Their flexibility went beyond anything that 
              could be expected of typical ballet performers in Australia, and 
              it seemed to be a standard requirement for the dancers. This criterion 
              didn't appear to apply to their drama skills though, which were 
              either completely over-exaggerated, as in the case of Wild Zebra 
              and the Fox, or as for the majority of the cast, non-existent.
              Although I did feel 
              that this performance was of a particularly low standard, there 
              were two elements I perceived that should be mentioned. The first 
              is that this production comes to us from Shanghai, where customs 
              and values are very different. Perhaps when reading the piece from 
              our point of view some of the cultural significance is lost, and 
              thus the performance loses intent. The other thing to mention is 
              that if one didn't take into account the lack of refinement, the 
              show could be entertaining, especially for children. There are a 
              multitude of 'spectacular' gymnastic moves executed throughout the 
              piece, and if a spectacle is what you're looking for, "Wild Zebra: 
              may be it. To me, the whole experience was thoroughly disappointing, 
              especially as we so rarely see work here coming directly from China.
               
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