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Letter, 10-10: Fallen Branches
Nik's Children
From Eric Dunlap
Copyright 2003 Eric Dunlap
Paul,
There seems to be an
awful lot of Nikolais talk going around this fall. With the Alwin
Nikolais Legacy Forum at Hunter College this weekend
and the Nikolais Foundation / Ririe-Woodbury Company presentation
at the Joyce Theater, this should be a time to celebrate this pioneering
genius and acknowledge the extensive family tree that branches from
Nik.
Or is it?
Taking a glance at the
Nikolais Legacy Forum flyer, there is a long list of people contributing
performance, teaching, lectures and discussion. It looks to be a
great celebration both of Nik's legacy and extensive but sometimes
under-nourished family tree. Checking out the Joyce Theater's web
site, it appears as though Nik's Company is back in business.
I went back and read
your Buzz
column regarding Nikolais Dance Theatre at the Joyce,
and I feel you may have a point. When I think about it, the question
that runs through my mind is "Where is Ririe-Woodbury?" It may be
misleading to bill the company as NDT, but quite frankly that is
the decision of the presenting organization and they are only trying
to sell tickets. Where the travesty lies is by not stressing the
historical connection between Ririe-Woodbury and Nikolais, and by
not giving R-W the credit of 30 almost 40 years of its own development.
Is this the only way
that R-W can get a Joyce gig? Using the company to restage Nik's
works may a good choice because of the historical connection and
pervasiveness of the technique, but since they are here in NYC wouldn't
they want a little more cred?
Is this the only way
Murray (Louis, Nikolais's partner) can sell tickets, reviving the
name that hasn't been used in over a decade, and publishing a photo
from an era when the company was already in decline? Why not use
something more indicative of the work and less the persons, like
a photo of "Crucible" where it is hard to even tell what body parts
you are looking at and all you know is that it looks cool, or even
a photo of the company in its prime, when Nik was still alive?
This is just a case
of the family tree trunk sapping the life out of the branches and
may be even more revealing to the true nature of the Nikolais Legacy.
If there was any intent of expanding the family tree it is paramount
that R-W receive the recognition it deserves for holding on to its
company and continuing to preserve the technique --something Murray
could not do.
I for one value my connection
to Nik's legacy, but quite frankly in this city it does not get
me far. No one seems to know who Nik is, was, or what he developed.
(Note: When I was setting a piece on some kids in Montclair, everyone
knew Graham, but no one knew Nik.) I am hoping the Legacy Forum
will be a step towards more recognition for those in the family,
to celebrate the past, to acknowledge the present and to develop
the future.
Editor's Note: Eric Dunlap is the artistic director of Forward
Motion Theater and a former member of the Murray Louis
and Nikolais Dance Company.
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